Content Creative 2025 is a nine-person studio in Leeds. We make campaign ideas, films, design systems and content that people actually stop for. Two-week sprints. Fixed prices. No retainer, no account layer, no forty-slide deck at the end of it.
Currently booking sprints from mid-October
We are not a full-service agency and we would be a bad one. These are the six disciplines that live in the studio, and everything we sell is made from them.
The bit most studios skip. A defensible central idea with the reasoning attached, tested against your audience before anyone spends money making it.
Written, directed, shot and cut in-house. From a manifesto film to thirty vertical edits made from the same day of rushes.
Not a logo. A working kit — type, colour, grid, motion rules and templates — that your team can use without ringing us every week.
Product, people and place, art-directed to the same idea as everything else so the campaign holds together across channels.
Lines that survive contact with a real audience. Written by people who have to defend them in a room, not generated and hoped for.
Original music, sound design and voice, produced in-house. The reason our films work with the volume up.
This is a toy, not a strategy. But it makes a serious point: most content briefs fail because they name a channel and a deadline and nothing else. Format plus angle plus channel is the minimum viable brief. Pull the handle and see how much sharper a random one is than the last brief you were sent.
If something in here makes you laugh or makes you nervous, that is usually the one worth making. Take it, use it, do not credit us.
Same shape every time, whichever sprint you buy. You always know which day you are on and what lands at the end of it.
Ninety minutes, everyone who has an opinion in the room at once. We leave with a written problem statement that you sign off before the sprint starts. If we cannot agree one, we do not take the money.
Research, references, and somewhere between forty and eighty directions. Most are wrong on purpose. We are looking for the shape of the answer, not the answer.
We present three routes with the reasoning, the risk and the rough cost of making each one. You pick one. We do not present a favourite and two obvious losers, which is the oldest trick in the industry.
Shoot, design, write, score, edit. You see work in progress on days 8 and 11 so nothing is a surprise at the end. One structural change is included; after that we tell you honestly what it costs.
Finished files, source files, fonts, licences, usage rights and a one-page guide to using it without us. Everything transfers to you on final payment.
A fortnight after launch we look at what happened, in public, including the bits that did not work. It costs you nothing and it is the reason most clients book a second sprint.
A Yorkshire distillery with six products nobody could say out loud. We made the difficulty the campaign instead of hiding it, and filmed forty people failing to pronounce them.
A logistics firm whose real advantage was a fourteen-minute average response time. We built the whole identity around a stopwatch and filmed one unedited fourteen-minute take.
A Leeds housing charity with a message people avoided. We wrote a campaign that explicitly told you to look away, which is of course the one thing nobody can do.
Every studio has watched the same thing happen. A project starts well, a stakeholder joins in week five, the idea gets sanded down to something nobody would object to, and eight months later everyone quietly agrees it did not work.
A fixed fourteen days kills that. There is no time for the idea to be diluted by people who were not at the brief. There is no scope to creep into, because the scope ends on day thirteen. And there is no incentive for us to go slowly, because the price does not move.
It also means you can try us for £4,500 instead of signing a year. If the first sprint is not good, you have lost a fortnight rather than a budget.
All excluding VAT. Fifty per cent to book the fortnight, fifty on handover. UK mainland travel included.
£4,500 ex VAT
£9,800 ex VAT
£18,000 ex VAT
Extras, priced the same way: additional shoot day £1,800 · additional edit £650 · perpetual worldwide rights £900 · out-of-hours rush +40%.
"Fourteen days felt like a gimmick until day five, when we had three real routes and a number for each. We had spent nine months with our last agency getting neither."
— Marketing Director, drinks brand, Yorkshire"They told us our best idea was the one we were embarrassed about. They were right, and it is still the highest performing thing we have ever run."
— Founder, logistics firm, Sheffield"The day thirty review was brutal and completely free. Half of it was them explaining what they would do differently. We booked two more sprints that afternoon."
— Head of Fundraising, charity, LeedsThe best briefs we get describe something that is not working. The worst ones specify a video length. Write us three sentences about the first kind.
Email
[email protected]
Telephone
+44 113 496 0562
Address
Studio 3, Duke Studios, Sheaf Street, Leeds LS10 1HD, United Kingdom
Hours
Monday to Friday, 09:00–18:00 GMT